Last weekend's Game Fair saw me coming away with an unexpected purchase: a 12-bore percussion double rifle, signed "A[lexander] F[oote] MAITLAND" and "MAKER. ELGIN" on the top rib, with "A.F. MAITLAND" on both lock plates. The gun was
auctioned at Holt's in 2021. Pictures are available at the Holt's link and in
my own folder, here.
The rifle is puzzling in several respects. Maitland is not mentioned in Nigel Brown’s
British Gunmakers (vol. 2), and I can find no other signed examples of his work. Scottish trade directories for Morayshire list him at 131 High Street, Elgin, in 1863 and 1878: first as a "gunsmith," later as a "gun and fishing tackle maker," with a second premises at 220 High Street, presumably the tackle shop.
Present are standard London proof marks of the 1855–1875 period, including the "12" gauge mark. Beyond that, however, markings are strikingly sparse: no lock or barrel maker’s stamps, no serial or assembly numbers, no patent references. The only additional marking is a clumsily-applied alphanumeric code "APX-305-EX-73" (possibly "AOX") stamped on the left barrel near the chamber. Similar codes appear occasionally in modern auction listings, identified there as Indian "armoury" or "export" marks, but I have yet to find any authoritative explanation or decoding system. Their presence suggests the gun may have been exported to India (perhaps from new) and repatriated much later.
Another of the rifle's enigmas is the rear sight: a standing blade with four folding leaves graduated from 200 to 500 yards, each neatly inlaid with a platinum centre line... yet none of the leaves is cut with a sighting notch. I believe four folding leaves is at the higher end for this type of rifle, and thus this was possibly a higher-than-standard grade of sight, so it surprises me that the leaves were left unregulated when the gun was built. I would be very interested to know under what circumstances a gun might leave a maker’s hands in this condition.
The rifle is also unusually plain. It shows uniform borderline engraving on hammers, plates, and furniture, and simple starburst rosettes on the screw heads, but not a trace of decorative embellishment beyond that. My first thought was that this might have been built for a client of practical temperament - perhaps the proverbial “dour Scot” - who saw no value in paying for adornment, but fancied himself enough of a marksman to make good use of an ample set of sighting leaves. Yet whoever ultimately received the rifle seems to have lacked the interest or opportunity to have the leaves regulated, and its excellent internal and external condition imply little use and long storage.
Despite the simplicity of its decoration (if one may call it that), the rifle is in no way coarse in execution. Indeed, the filing, fitting, and finish are of a very high order, and somewhat at odds with the obscurity of the maker. Given Maitland’s modest profile, I therefore wonder whether he was truly the maker of this piece, or (like many provincial gunmakers) was acting as a retailer for a larger manufacturer, perhaps in Edinburgh or London: I'm assuming that the rifle would carry Birmingham proof marks if it had been made there. In the event that my rifle is the work of a metropolitan maker, I imagine it should be possible to find a “twin” bearing another, perhaps more prestigious, name, but so far, I’ve drawn a blank.*
I would be very interested to know, therefore, whether anyone: (a) has seen, or owns, a similar gun (b) knows more about A.F. Maitland (c) knows whether guns routinely left their makers with un-notched sights (d) knows how the regulation of those sights was achieved, and (e) since I aim to shoot this curious creature, might recommend a load (I am thinking of a patched round ball over between 90-120 grains of Swiss #4). So many questions!
Update: I've found images of a
double 10-bore percussion rifle by John Dickson & Sons of Edinburgh with
some very similar features